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<http://schema.org/articleBody> "Cet automne le Kunsthal Gent pr\u00E9sente expose les \u0153uvres de trois artistes: Femmy Otten, Pei-Hsuan Wang et Ben Benaouisse. Kunsthal Gent abrite un tout nouveau bar, con\u00E7u par les artistes gantois Theo De Meyer et Olivier Goethals.\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Femmy Otten - We Once Were One</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>De novembre 2021 \u00E0 septembre 2022, l\u2019artiste n\u00E9erlandaise Femmy Otten a progressivement transform\u00E9 une souche de tilleul en corps de femme. Elle a cr\u00E9\u00E9 cette \u0153uvre sp\u00E9cialement pour le Kunsthal Gent et l\u2019a nomm\u00E9e \u2018We Once Were One\u2019.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Theo De Meyer & Olivier Goethals \u2014 Un nouveau bar au Kunsthal Gent</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>\u00C0 l\u2019entr\u00E9e de la grande salle principale, Theo De Meyer et Olivier Goethals ont con\u00E7u un nouvel espace avec un bar, Sheela\u2019s, comme \u00E9l\u00E9ment central.</p>\n\n<p>Ce lieu de rencontre et de d\u00E9tente vient compl\u00E9ter les espaces de travail et d\u2019exposition du b\u00E2timent. L\u2019ouvrage de De Meyer et Goethals explore les fronti\u00E8res de l\u2019architecture, de l\u2019art et du design. Il en r\u00E9sulte une confluence naturelle de deux langages visuels tr\u00E8s personnels.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Pei-Hsuan Wang - Ghost Eat Mud (jusqu\u2019au 18 d\u00E9cembre)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Il y a de nombreuses ann\u00E9es, la m\u00E8re de Pei-Hsuan Wang a quitt\u00E9 Ta\u00EFwan pour s\u2019installer aux \u00C9tats-Unis. Sa fille l\u2019a ensuite rejointe et, d\u00E8s son plus jeune \u00E2ge, elle s\u2019est heurt\u00E9e aux incertitudes engendr\u00E9es par les diff\u00E9rences entre \u00ABl\u2019Orient\u00BB et \u00ABl\u2019Occident\u00BB.<br>\nPour \u00E9laborer ses \u0153uvres, Wang puise son inspiration dans ses traumatismes, ses souvenirs, son histoire familiale et ses aspirations. Sa ni\u00E8ce Iris est \u00E9galement une source d\u2019inspiration pour l\u2019artiste.</p>\n\n<p>Dans ses \u0153uvres, Wang d\u00E9peint les croisements raciaux et culturels \u00E0 l\u2019aide d\u2019arch\u00E9types issus de mythes et de la nature. Les animaux repr\u00E9sentent des gardes et des portails. L\u2019exposition \u2018Ghost Eat Mud\u2019 reprend des sculptures, des installations, des illustrations, des textiles et des sons qui pr\u00E9sentent des personnages de trois g\u00E9n\u00E9rations.</p>\n\n<p>Des r\u00E9f\u00E9rences \u00E0 sa ni\u00E8ce, \u00E0 l\u2019artiste elle-m\u00EAme et \u00E0 sa m\u00E8re sont pr\u00E9sentes.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Ben Benaouisse \u2014 De Nieuwe Organisatie (jusqu\u2019au 29 janvier)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>De Nieuwe Organisatie, un projet multidisciplinaire \u00E9labor\u00E9 par Ben Benaouisse, organise six expositions dans l\u2019Oud Huis du Kunsthal Gent. L\u2019artiste Jorg\u00E9 Manilla ouvre le bal. Consultez r\u00E9guli\u00E8rement le site web pour le programme complet.</p></div>\n \n </div>\n"@fr , "Kunsthal Gent will be hosting three exhibitions this autumn: Femmy Otten, Pei-Hsuan Wang and Ben Benaouisse will present their new work. You can also discover the brand-new bar, designed by Ghent artists Theo De Meyer and Olivier Goethals.\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Femmy Otten - We Once Were One</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Dutch artist Femmy Otten slowly transformed a lime wood tree trunk into a female body from November 2021 to September 2022. She specially made the artwork for Kunsthal Gent and named it \u2018We Once Were One\u2019.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Theo De Meyer & Olivier Goethals \u2014 A new bar in Kunsthal Gent</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>At the entrance of the former church, Theo De Meyer and Olivier Goethals created a new space centred around a bar named Sheela\u2019s.</p>\n\n<p>This place for meeting and relaxation complements the building\u2019s work and exhibition spaces. De Meyer and Goethals explore the boundaries of architecture, art and design in their work, which results in a natural confluence of two highy personal visual languages.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Pei-Hsuan Wang - Ghost Eat Mud (till 18 December)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Many years ago, Pei-Hsuan Wang\u2019s mother moved from Taiwan to the United States. She was later followed by her daughter, who was faced with the insecurities arising from the differences between \u2018the East\u2019 and \u2018the West\u2019 at a young age.<br>\nWang draws inspiration from her traumas, memories, family history and aspirations for her work. The artist was also inspired by her niece Iris.</p>\n\n<p>In her work, Wang depicts racial and cultural hybrids using archetypes from mythology and nature. The animals represent guardians and portals. In \u2018Ghost Eat Mud\u2019, Wang introduces characters spanning three generations through sculptures, installations, illustrations, textile and sounds.</p>\n\n<p>References to her niece, herself and her mother emerge.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Ben Benaouisse \u2014 De Nieuwe Organisatie (till 9 January)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>\u2018De Nieuwe Organisatie\u2019, a multipolar project driven by Ben Benaouisse, organises six exhibitions in Kunsthal Gent\u2019s Oud Huis. Jorg\u00E9 Manilla is the first artist in the line-up. Keep an eye on the website for the full programme.</p></div>\n \n </div>\n"@en , "Dit najaar kun je in Kunsthal Gent terecht voor drie tentoonstellingen: Femmy Otten, Pei-Hsuan Wang en Ben Benaouisse zijn er te gast met nieuw werk. Je maakt er ook kennis met een gloednieuwe bar, ontworpen door de Gentse kunstenaars Theo De Meyer en Olivier Goethals.\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Femmy Otten - We Once Were One</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Van november 2021 tot september 2022 vormde de Nederlandse kunstenaar Femmy Otten een lindehouten boomstronk langzaam om tot het lichaam van een vrouw. Ze maakte het kunstwerk speciaal voor de context van Kunsthal Gent en gaf het de titel \u2018We Once Were One\u2019.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Theo De Meyer & Olivier Goethals \u2014 Een nieuwe bar Voor Kunsthal Gent</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Theo De Meyer en Olivier Goethals maakten aan de ingang van de grote zaalkerk een nieuwe ruimte met als centraal element een bar, Sheela\u2019s.</p>\n\n<p>Deze ontmoetings- en ontspanningsplek is een aanvulling van de werk- en tentoonstellingsruimtes van het gebouw. In hun werk tasten De Meyer en Goethals de grenzen van architectuur, kunst en design af. Dat resulteert in een natuurlijke samenvloeiing van twee uiterst persoonlijke beeldtalen.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Pei-Hsuan Wang - Ghost Eat Mud (tot 18 december)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>De moeder van Pei-Hsuan Wang verhuisde jaren geleden van Taiwan naar de Verenigde Staten. Later volgde haar dochter die op jonge leeftijd botste op de onzekerheden die de verschillen tussen \u2018het Oosten\u2019 en \u2018het Westen\u2019 met zich meebrengen.<br>\nVoor haar werken put Wang uit haar trauma\u2019s, herinneringen, familiegeschiedenis en aspiraties. Ook haar nichtje Iris inspireerde de kunstenaar.</p>\n\n<p>Wang stelt in haar werk raciale en culturele kruisingen voor aan de hand van oerbeelden uit mythes en uit de natuur. De dieren in haar werk verbeelden bewakers en portalen. In \u2018Ghost Eat Mud\u2019 zie je beeldhouwkunst, installaties, illustratie, textiel en geluid waarin Wang personages die drie generaties omspannen introduceert.</p>\n\n<p>Er duiken referenties op naar haar nichtje, zichzelf en haar moeder.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Ben Benaouisse \u2014 De Nieuwe Organisatie (tot 29 januari)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>De Nieuwe Organisatie, een multipolair project onder impuls van Ben Benaouisse, organiseert zes tentoonstellingen in het Oud Huis van Kunsthal Gent. Jorg\u00E9 Manilla bijt de spits af. Houd de website in de gaten voor het volledige programma.</p></div>\n \n </div>\n"@nl , "Im Herbst stellt Kunsthal Gent drei neue Ausstellungen vor: Femmy Otten, Pei-Hsuan Wang und Ben Benaouisse stellen neue Werke aus. Man kann auch die nagelneue Bar, die von den Genter K\u00FCnstlern Theo De Meyer und Olivier Goethals entworfen wurde, entdecken.\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Femmy Otten - We Once Were One</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Vom November 2021 bis zum September 2022 wandelte die niederl\u00E4ndische K\u00FCnstlerin Femmy Otten einen lindenen Baumstumpf langsam in den K\u00F6rper einer Frau um. Sie schuf das Werk speziell f\u00FCr Kunsthal Gent und nannte es \u201EWe Once Were One\u201C.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Theo De Meyer & Olivier Goethals \u2014 Eine neue Bar f\u00FCr Kunsthal Gent</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Theo De Meyer und Olivier Goethals kreierten am Eingang der gro\u00DFen Saalkirche einen neuen Raum, in dem eine Bar, Sheela\u2019s, der Blickfang ist.</p>\n\n<p>Dieser Treffpunkt und Entspannungsort erg\u00E4nzt die Arbeits- und Ausstellungsr\u00E4ume des Geb\u00E4udes. In ihrem Werk suchen De Meyer und Goethals die Grenzen von Architektur, Kunst und Design auf. Das f\u00FChrt zu einem nat\u00FCrlichen Zusammenfluss zweier \u00E4u\u00DFerst pers\u00F6nlicher Bildsprachen.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Pei-Hsuan Wang - Ghost Eat Mud (bis 18. Dezember)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Die Mutter von Pei-Hsuan Wang zog vor vielen Jahren von Taiwan in die USA um. Sp\u00E4ter folgte ihre Tochter, die in einem jungen Alter mit den Unsicherheiten, die die Unterschiede zwischen \u201EAbendland\u201C und \u201EMorgenland\u201C mit sich brachten, konfrontiert wurde.<br>\nF\u00FCr ihre Werke st\u00FCtzt sich Wang auf ihre Traumata, Erinnerungen, Familiengeschichte und Tr\u00E4ume. Auch ihre Nichte Iris inspirierte die K\u00FCnstlerin.</p>\n\n<p>Wang stellt in ihren Werken anhand von Urbildern aus Mythen und aus der Natur rassische und kulturelle Kreuzungen vor. Die Tiere in ihren Werken stellen W\u00E4chter und Portale dar. In \u201EGhost Eat Mud\u201C entdeckt man Bildhaukunst, Installationen, Illustrationen, Textil und Ger\u00E4usche, \u00FCber die Wang Charaktere, die drei Generationen umspannen, vorstellt.</p>\n\n<p>Man erkennt Verweise auf ihre Nichte, die K\u00FCnstlerin selbst und ihre Mutter.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Ben Benaouisse \u2014 De Nieuwe Organisatie (bis 29. Januar)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>De Nieuwe Organisatie, ein multipolares Projekt auf Anregung von Ben Benaouisse, veranstaltet sechs Ausstellungen im Oud Huis von Kunsthal Gent. Jorg\u00E9 Manilla darf als Erster antreten. Auf der Website ist das vollst\u00E4ndige Programm zu finden.</p></div>\n \n </div>\n"@de , "Este oto\u00F1o, la galer\u00EDa de arte Kunsthal Gent le ofrece tres exposiciones: podr\u00E1 admirar la nueva obra de Femmy Otten, Pei-Hsuan Wang y Ben Benaouisse. Tambi\u00E9n podr\u00E1 descubrir\u00E1 el nuevo bar, dise\u00F1ado por los artistas ganteses Theo De Meyer y Olivier Goethals.\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Femmy Otten - We Once Were One</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Desde noviembre 2021 hasta septiembre 2022, la artista neerlandesa Femmy Otten fue transformando un tronco de tilo en un cuerpo de mujer. Realiz\u00F3 esta obra especialmente para Kunsthal Gent y le puso el t\u00EDtulo \u201CWe Once Were One\u201D.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Theo De Meyer & Olivier Goethals \u2014 Un nuevo bar para Kunsthal Gent</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Theo De Meyer y Olivier Goethals crearon un nuevo espacio en la entrada de la gran iglesia de una sola nave, cuyo elemento central es el bar llamado Sheela\u2019s.</p>\n\n<p>Este nuevo espacio de encuentro y de ocio completa las salas de trabajo y de exposici\u00F3n del edificio. En su obra, De Meyer y Goethals exploran los l\u00EDmites de la arquitectura, del arte y del dise\u00F1o, dando lugar a la confluencia natural de dos lenguajes visuales muy personales.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Pei-Hsuan Wang - Ghost Eat Mud (hasta el 18 de diciembre)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>Hace muchos a\u00F1os, la madre de Pei-Hsuan Wang se traslad\u00F3 desde Taiw\u00E1n a Estados Unidos. M\u00E1s tarde la sigui\u00F3 su hija, quien se vio confrontada desde una edad muy temprana a las inseguridades que conllevan las diferencias entre \u201Cel Este\u201D y \u201Cel Oeste\u201D.<br>\nLa obra de Wang se inspira en sus traumas, sus recuerdos, su historia familiar y sus aspiraciones. Su sobrina Iris tambi\u00E9n fue una gran fuente de inspiraci\u00F3n.</p>\n\n<p>En su obra, Wang nos presenta cruces culturales mediante im\u00E1genes prehist\u00F3ricas procedentes de mitos y de la naturaleza. Los animales que aparecen en sus creaciones representan guardianes y portales. En la exposici\u00F3n \u201CGhost Eat Mud\u201D, podr\u00E1 admirar esculturas, instalaciones, ilustraciones, textiles y sonidos a trav\u00E9s de los cuales Wang introduce personajes que abarcan tres generaciones.</p>\n\n<p>Su obra incluye referencias a su sobrina, a su madre y a s\u00ED misma.</p></div>\n \n </div>\n\n <div class=\"paragraph paragraph--type--text paragraph--view-mode--full\">\n \n <div class=\"field field--name-field-heading field--type-heading field--label-hidden field__item\"><h2>Ben Benaouisse \u2014 De Nieuwe Organisatie (hasta el 29 de enero)</h2>\n</div>\n \n <div class=\"clearfix text-formatted field field--name-field-text field--type-text-long field--label-hidden field__item\"><p>La \u201CNieuwe Organisatie\u201D, un proyecto multipolar impulsado por Ben Benaouisse, organiza seis exposiciones en la capilla Oud Huis de Kunsthal Gent. La exposici\u00F3n de Jorg\u00E9 Manilla ser\u00E1 la primera. Visite la p\u00E1gina web para consultar la programaci\u00F3n completa.</p></div>\n \n </div>\n"@es .